Ephraim couldn’t be more excited to be part of this team and play. Off-Broadway credits include: Chester Bailey at The Irish Rep (Outer Critics Circle Nomination, Berkshire Theater Critics Award Winner), Jonah at Roundabout, The Book of Mountains and Seas in the Edinburgh Fringe Festival and The Good Person of Szechwan at The Public Theater. Regionally, Ephraim performed in Studio Theater DC’s Admissions, and TheaterWorks Hartford’s The Sound Inside and The Rembrandt (Connecticut Critics Circle Nomination). TV and Film credits include: Gotham, The Americans, Strawberry Mansion (Sundance Film Festival 2021) and Things Like This, coming to theaters later this year. 

A fresh graduate of Hogwarts School of Witchcraft & Wizardry, Joel recently wrapped a two-year run leading the Broadway company of Harry Potter and the Cursed Child as Albus Potter. Off-Broadway: Bard Overboard. Film: Carry the Darkness, Call Me Crazy. Television: “Three Busy Debras” (Adult Swim/HBO). University favorites: Stupid Fucking Bird, A Midsummer Night’s Dream, Godspell, Translations. Joel is the co-creator/system architect behind Candle House Collective’s immersive epic, Lennox Mutual, and sometimes lends his voice to CHC’s award-winning telephonic thriller, CLAWS. Beyond the stage, he enjoys working with students as the co-founder of Hyperspace Tutors. Columbia Theatre & Astrophysics. @joelpmeyers 

Danny Brown (he/him) is a New York based writer, composer, and dramaturg. He has written several plays, musicals, and songs, both on teams and independently. Favorite credits include AS TIME GOES BY (playwright, Ice Berg Productions), THE PANSY CRAZE (additional book and lyrics, HGMC/Hartford Stage), and BOOP! THE MUSICAL (Lyrics assistant, Chicago pre-Broadway). As a composer, he has written songs, underscoring, and orchestrations for plays, musicals, jazz ensembles, chamber groups, and full orchestras. He is currently working on a play about the Los Angeles suburbs, and a musical about early 20th Century drag performers. BFA Hartt. MFA Columbia. @dannyb_thatsme 

Noah is a queer and Jewish NYC-based director, producer, and performer. Breaking boundaries of theme, structure, content, form, and scale, Noah utilizes humor, identity, and passion to explore how our universal values and qualities bring communities closer or divide us apart. Recent credits include ORION AND THE GOATMAN (Flea Theater), ELEGIES: A SONG CYCLE (Dive 106), and a SONGS FROM AN UNMADE BED (54 Below). Outside of his own projects, Noah co-produced the Obie-winning off-Broadway run of CIRCLE JERK (Connelly Theater), is Executive Producing upcoming film BOOKENDS (Starring F. Murray Abraham and Caroline Aaron), and serves as the Associate Board co-chair to Tony Award winning non-profit BROADWAY FOR ALL. He has assisted many prominent directors including Tony nominee Marcia Milgrom Dodge on JERSEY BOYS and DECEIVED (Maltz Jupiter Theater), MURDER ON THE ORIENT EXPRESS (Cape Playhouse), and TO PAINT THE EARTH (Museum of Jewish Heritage). Noah graduated from the University of Michigan with a BFA in Musical Theater and minors in American Culture and Performing Arts Management & Entrepreneurship. 

Baron is a Boston-based educator and scenic designer for theater, opera, and other performance arts. Baron has a penchant for theater that tackles local and global issues, as well as stories that are told through the lens of and/or feature underserved and under-heard communities. Throughout his career thus far, Baron has been lucky enough to work as lead designer or as an associate at prominent regional and off-Broadway theaters including: Public Theater, Juilliard School - Drama Division, Huntington Theater, Capital Rep, Hartford StageTheatreSquared, as well as Trinity Rep. Currently, as an Affiliated Faculty member, Baron teaches courses in drafting and foundation-level design courses at Emerson College. Baron received an MFA in Scenic Design from Boston University, and is a proud member of United Scenic Artists, Local USA-829. 

Bio coming soon

Credits include, Off-Broadway: Hong Kong Mississippi (La MaMa ETC), Dodi & Diana (Colt Coeur), Only Human: A Musical (Theatre St. Clement’s), Till (NYMF) Regional: A Bronx Tale, Footloose, Jersey Boys (Argyle Theatre), Anastasia, Parade (Slow Burn Theatre Co.), The Prom (WPPAC), The Drowsy Chaperone (SSMT), Blue (Seattle Opera, Pittsburgh Opera, Dutch National Opera). Previous work: LaMaMa ETC, BAM, NYTW, Playwrights Horizons, Barrington Stage Company, La Jolla Playhouse, Washington National Opera, The Glimmerglass Festival, Seán Curran Dance Company, Nimbus Dance, De Funes Dance, Second Avenue Dance Company and many others. Colt Coeur Company Member. MFA NYU/Tisch. Member USA829.

www.ericnorburylighting.com

Jess Gersz has had the opportunity to work on a wide range of projects as a Designer and Associate. From stage shows to theme parks, Jess is always looking for new adventures in costuming.  You can see projects he has participated in across the world including: Broadway, National Tours, Cruise Ships, Theme Parks & more! Jess holds a MFA in Costume Design from the University of Illinois at Urbana-Champaign and a BA from the University at Albany (SUNY). Jess is a proud member of USA-829 and an adjunct faculty member at Pace University.   www.JGersz.com

Ryan is a professional playwright, composer, performer, sound designer, and sound engineer. Notable productions: B in The Silver Child (Soho Playhouse), Violet in Sisterhood (The Tank), Sound Design: Monsters of the Villa Diodati (AMT Theatre), Orion and the Goatman (The Flea), Time Hole(The Tank), Sound Engineer The Trouble with Dead Boyfriends (Players Theatre). She has recently graduated from NYU’s Graduate Musical Theatre Writing Program where she began developing Glen or Glenda: The Musical with collaborator M.L. Redstone. Her album Transitional Funk is available on all streaming platforms.